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The Westminister 4: Brace Yourself For…Disappointment

August 8th, 2009 by ccrouch
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Thirty five years ago, Orange County braced itself for “the beginning of the most exciting development in entertainment since sound was introduced to motion pictures.” What was this groundbreaking event? The grand opening of United Artists’ Westminister Mall 4.
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In what might be the most exaggerated statement in county cinema history, United Artists actually introduced their Westminster location, in the 8/6/74 Los Angeles Times, with the fore mentioned boast. Not surprisingly, reality proved far less grand than what was promised.
 
Opened on August 7, 1974, the theatre was lackluster, even by mid 70’s standards. Offering little more than the convenience of four film choices, in a mall shopping setting, the Westminister 4 never made much of an impact on the county movie going scene. By the mid 80’s, Edwards had taken over the venue and added Dolby stereo sound, but, as with many of the company’s competition acquisitions, little effort was placed in to maintaining the site. Known as a run down dump, throughout it’s later years, the theatre was closed in March of 2001 and quickly gutted for retail use.
 
Despite the grandest of introductions, the Westminister 4 ultimately proved to be one of Orange County’s less notable cinemas.

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A Unique Postscript: The Anaheim Drive-In

August 5th, 2009 by ccrouch
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Fifty four years ago this week, Orange County welcomed it’s fifth ozoner with the grand opening of the Anaheim Drive-In. Once billed as “Orange County’s most luxurious super drive-in theatre”, the venue had a thirty-five year run, before closing in the spring of 1990. The Anaheim Drive-In also had a rather unique after life, being the site of one of the county’s more notable failed “lifestyle center” projects. 

A few years after closing the drive-in, Pacific Theatres announced plans for a 26 screen megaplex and entertainment complex to be built on the property by the spring of 1997. In addition to the 100,000 square foot cinema, the plan called for ten restaurants and stores, a 30,000 square foot video game arcade, and 2,300 parking spaces; all set within a design that was to be modeled after Newport Beach’s Fashion Island shopping center (complete with “playful” fountains). At the time, the theatre would have been among the largest in the country. 

Work on the proposed center began in July of 1996, with a VIP screen demolition ceremony that included local politicians and Pacific executives in attendance. Over the ensuing weeks, the lot was graded and a “coming soon” message was posted on the old drive-in marquee. However, by the end of the Summer, work came to an end almost as quickly as it has begun. Without explanation or an official announcement, the project was abandoned; the lone acknowledgement being the removal of the marquee message.

Rumors around the planned center’s demise have generally centered on AMC’s quick ten screen expansion of their neighboring Fullerton 10 theatre, in 1997. Yet, considering the potential drawing power of a full entertainment complex and new megaplex, one must question how the halfhearted expansion of an aging multiplex would have threatened Pacific out of a venture they had already committed considerable means in to launching. A second, less circulated rumor, involving a lack of financing, seems a more likely explanation. In any case, the lot sat empty for a few more years, before being sold and redeveloped in to a generic retail park; anchored by a hardware store and health club, rather than a cinema.  

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Failed & Forgotten Concession Novelty

August 4th, 2009 by ccrouch
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Back in 1939, inventor Aston Moore proposed a new popcorn container for moviegoers, which added the convenience of a built in napkin dispenser. Similar to a cereal box, the cardboard container was lined with a wax paper bag for the popcorn; the napkin was housed below the bag and accessed via a small slit in the box. There is no evidence Mr. Moore’s invention was ever implemented to any significant extent (if at all); likely reflective of the increased manufacturing costs involved with the concept.

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Another Brookhurst Theatre Update

July 31st, 2009 by ccrouch
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While still no news to report on the Brookhurst’s long delayed reopening (a sign in the window states “soon”), I did manage to stop by and take a few pictures. Here are some before and after shots to gauge how much work is being done:

  

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If nothing else, the concession stand appears to have recieved a substantial, and long overdue, upgrade. One can only hope the auditoriums have garnered as much attention.

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Costa Mesa’s Paulo Drive-In

July 31st, 2009 by ccrouch
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This month marks the sixtieth anniversary of Costa Mesa’s Paulo Drive-In. Opened on July, 8, 1949, with the features “Streets of Laredo” and “Across the River”, the venue was Orange County’s third drive-in. Originally an independent, the drive-in was picked up by Pacific Theatres in the Fall of 1952. The Paulo lasted until February of 1976, when the site was demolished for an apartment complex and 55 freeway construction. Mirroring the decline of the drive-in theatre format, the venue closed out it’s run with a “B” film double bill of “Flesh Gordon” and “The Cheerleaders”.  
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Balto in Anaheim

July 26th, 2009 by ccrouch
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Back in the winter of 1925, the nation was captivated by the story of the “Serum Race to Nome”; in which antitoxin was rushed to the isolated town of Nenana, Alaska, via train and dog sled, to combat an outbreak of diphtheria. While involving 20 mushers and 150 dogs, fame ultimately fell on Gunnar Kaasen and his lead dog Balto. The two become national celebrities for a time, touring the country and even appearing in a short film, “Balto’s Race to Nome”.
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Among the duo’s promotional appearances of 1925 was a stop over at Anaheim’s California Theatre. True to the Balto craze, the theatre sold out the day’s shows and saw an overflow crowd gather at the venue for a glimpse of the famous twosome.
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While the story of the serum run would go on to become a well celebrated legend (commemorated by the annual Iditarod Sled Dog Race) and Balto’s story would be re imagined as the 1995 animated featured “Balto”, Kaasen and Balto ended up facing the same pitfalls we see with today’s pop culture celebrities. After two years of touring fairs and the vaudeville circuit Gunnar Kassen had little to show for his efforts, culminating in a series of lawsuits against promoter Sol Lesser (of Rin Tin Tin fame). Adding to his problems, Kassen was faced with mounting accusations that he and Balto were more Hollywood creation than reality. Following this brief and difficult time in the spotlight, Mr. Kassen returned to Alaska, where he lived in self impose anonymity, until succumbing to cancer in 1960. Balto was sold and continued to tour for a number of years, under conditions that left the dog neglected and in poor health. Finishing out his final years in the Celeveland Zoo, Balto died in 1933 and was stuffed for display in the Cleveland Museumm of Natural History (where he remains to the present day).    

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Hollywood In Fullerton Night

July 20th, 2009 by ccrouch
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The 6th annual “Hollywood in Fullerton” night (held on June 27th) proved to be a success, attracting roughly six hundred people and raising an estimated $40,000 for the Fox Fullerton. Perhaps, the hi light of the evening was a 70’s theme stage show, which market the theatre’s first live stage performance in some fifty years.

Due to the building’s current condition, the audience was required to don hard hats, but even reaching the point, when a large event can be held in the theatre, was a significant milestone in the Fox’s rebirth.

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The Not So Magic Kingdom

July 19th, 2009 by ccrouch
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The Disneyland area of Anaheim has long been an entertainment focal point, yet cinemas have always struggled to find a niche within this Mecca for recreational spending. Since 1955, over 500 million people have been drawn to the Magic Kingdom, supporting a dense network of hotels, motels, restaurants, and assorted retail establishments that encircle the resort. However, that same period has only seen three commercial cinemas in the area; each having struggled to tap in to the area’s lucrative cash flow.
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The area’s first cinema, Cinemaland, opened in the spring of 1968 and barely managed to stay in business for a decade. Located directly across the street from Disneyland, the theatre was operated by National General/Fox West Coast, as a plush single screen. Never a run away success, the venue experienced modest business from the onset, despite being considered a flagship theatre, for it’s facility excellence. While offering a top of the line movie going experience, Cinemaland quickly fell victim to the era’s multi plex craze and was poorly divided in to three auditoriums, by new operator Mann. The tri plexing of Cinemaland only served to hasten the theatre’s decline, with the venue closing for good in June of 79′. After sitting vacant for another two decades, as a decaying eyesore, the theatre was razed for a large parking lot and bus depot (the empty space beside Howard Johnson’s Plaza Hotel).
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AMC’s Downtown Disney 12 opened in 2001, as part of the resort’s outdoor shopping, dining, and entertainment plaza. The twelve screen, 2,930 seat, complex was a dramatic downsize from the megaplexes AMC had become known for by that time, but the theatre also pointed towards the “quality over quantity” direction the entire industry would undertake in years to come. Featuring “classic era” styling, coupled with “megaplex era” technology, the theatre exemplified the modern retro movement that has become a staple of cinemas in the new millennium. While experiencing healthy business anytime family oriented blockbusters screened, the theatre never fully lived up to attendance expectations; proving more successful as a special events venue, than day to day cinema.
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Finally, we come to the area’s latest contender, The Movie Experience’s Garden Walk 14/Cinema Fusion theatre. Officially opened on July 18, 2008, the $17 million theatre was built as part of a large commercial “lifestyle center”, Garden Walk. While styled with a retro “googie” decore, the fourteen screen venue also implemented a host of innovative and cutting edge amenities that defy industry standards. Perhaps, the most adventurous offering being the theatre’s multi format exhibition style; featuring four separate viewing options, traditional, 21+, luxury screening room, and IMAX. Termed “cinema fusion”, by the theatre’s operator, the “all in one” theatre experience was hailed as the next step in film exhibition. Whether this bold effort will ever live up to expectations or not remains questionable. A year in to operation, Cinema Fusion has struggled to capture a sizeable audience, in a center that, to date, has also proved less than successful.
 
In an odd contradiction, the film exhibition industry, which was built around the proverbial magic of escapism, has faltered in capturing a successful presence within a place known as the Magic Kingdom. Be it poor decisions, too much competition for entertainment dollars, or simply an attraction to options one doesn’t readily find elsewhere, the area has proven to be a not so Magic Kingdom for cinemas.

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Brookhurst Reopening Update

July 16th, 2009 by ccrouch
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While the postponed opening date has yet to be rescheduled, the Brookhurst Theatre’s new operators (the same group operating Temecula’s Temeku Discount Cinemas) have sent out a promotional mailer to Anaheim residents.
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Hopefully, the false start won’t prove to be a momentum killer, as this is likely the Brookhurst’s last chance at life as a cinema. 

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Forgotten Cinema: Saddleback 1-2-3

July 13th, 2009 by ccrouch
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Thirty five years ago, General Cinema’s Saddleback 1-2-3 opened as South Orange County’s “hottest” entertainment destination, in a highly popular shopping plaza, that was the 70’s equivalent of the Irvine Spectrum. Yet, by the turn of the millennium, the theatre was a shunned entertainment relic, in a mostly vacant center, which was heading for demolition and redevelopment.
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Saddleback Valley Plaza broke ground in 1968, on a twenty five acre plot, located beside the corner of Rockfield and El Toro. A “town and country” style development, the plaza was the first commercial corridor in South Orange County, serving an area that was experiencing an explosion of growth at the time. Over the ensuing five years, the plaza expanded to include a varied collection of retail stores, eateries, and service establishments. Then, in the summer of 1974, the plaza capped off it’s status, as the area’s premiere destination, with the opening of the Saddleback Cinemas; a grand opening that saw the ballyhoo of a carnival, complete with a hot air balloon, camel rides, and marching bands. 
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While hardly notable, in comparison to the multitude of quality cinemas that dotted the county at the time, the Saddleback Cinemas were a fore bearer of the “lifestyle center” theatres that would eventually come to dominate the industry, a few decades later. Benefiting from the plaza’s drawing power, the cinemas became an instant hit, despite possessing rather substandard amenities. With mono sound, shoebox auditoriums, and sterile decor, the theatre provided far less than it’s nearest competitor, Edwards’ Viejo Twin, but the cinema continually outperformed the competition, as the area’s top draw. Within a few years, the Saddleback 1-2-3’s success garnered a pricey buyout by Edwards, who went on to add an additional three auditoriums in 1980 (the neighboring Saddleback 4-5-6) and a second theatre across the street, in 1984 (the El Toro 5).
 
Unfortunately, as the 80’s and 90’s saw an influx of larger modern theatres, coupled with a host of grander shopping plazas, the Saddleback Cinemas began to slip in to irrelevance. No longer drawing the large crowds of years past, Saddleback Cinemas struggled to survive on “hold over” films, which had already made the rounds at Edwards’ more lucrative venues. By the late 90’s the former “hot spot”, Saddleback Valley Plaza, had become a decrepit ghost town, on a highly coveted piece of property.
 
The Saddleback Cinemas quietly closed in 1999 and the entire plaza was razed a few years later, to make way for the $32 million “Arbor on El Toro” shopping center. While revived as a popular shopping and dining destination, the “craftsman” style Arbor center lacked what had been Saddleback’s key tenant, a cinema. However, there was little notice taken of the loss. Today, the former “hottest entertainment destination in South Orange County” has virtually vanished from record, with even photos of the Saddleback 1-2-3 practically non existant.

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