{"id":1030,"date":"2013-10-11T10:38:56","date_gmt":"2013-10-11T10:38:56","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=1030"},"modified":"2013-10-11T10:38:56","modified_gmt":"2013-10-11T10:38:56","slug":"exotic-adventure-at-the-fox-west-coast","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2013\/10\/11\/exotic-adventure-at-the-fox-west-coast\/","title":{"rendered":"Exotic Adventure At The Fox West Coast"},"content":{"rendered":"

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Today\u2019s picture captures Santa Ana\u2019s Fox West Coast Theatre<\/a> decorated for the 1934 adventure film \u201cWild Cargo\u201d.<\/p>\n

\"Fox<\/a><\/p>\n

A pseudo documentary, \u201cWild Cargo\u201d depicted exotic animal trapping by big game hunter\/celebrity Frank \u201cBring Em\u2019 Back Alive\u201d Buck. In reality, the harrowing adventure was shot, under highly controlled and staged circumstances, on the Malayan estate of the Sultan of Johor (one of the world\u2019s wealthiest men at the time).
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Today\u2019s picture captures Santa Ana\u2019s Fox West Coast Theatre decorated for the 1934 adventure film \u201cWild Cargo\u201d. A pseudo documentary, \u201cWild Cargo\u201d depicted exotic animal trapping by big game hunter\/celebrity Frank \u201cBring Em\u2019 Back Alive\u201d Buck. In reality, the harrowing adventure was shot, under highly controlled and staged circumstances, on the Malayan estate of the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,8],"tags":[],"class_list":["post-1030","post","type-post","status-publish","format-standard","hentry","category-film","category-theatre"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=1030"}],"version-history":[{"count":1,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1030\/revisions"}],"predecessor-version":[{"id":1032,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1030\/revisions\/1032"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=1030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=1030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}