{"id":1308,"date":"2020-09-03T06:39:08","date_gmt":"2020-09-03T06:39:08","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=1308"},"modified":"2020-09-03T07:00:48","modified_gmt":"2020-09-03T07:00:48","slug":"egocentric-marketing","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2020\/09\/03\/egocentric-marketing\/","title":{"rendered":"Egocentric Marketing"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/tobascopephonic.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/tobascopephonic.jpg\" alt=\"\" class=\"wp-image-1309\" width=\"450\" height=\"113\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/tobascopephonic.jpg 600w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/tobascopephonic-300x76.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/tobascopephonic-150x38.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>The world of moving making and cinema has never suffered from a shortage of individuals with a &#8220;robust&#8221; sense of self worth; nor has the industry exactly shied away from self promotion. However, few individuals have taken it to the level of 70&#8217;s exploitation\/adult film impresario Carlos Tobalina. From shooting films in &#8220;Tobachrome&#8221; and &#8220;Tobascope&#8221;, to presenting &#8220;Tobaphonic&#8221; sound, to crowning himself as &#8220;The man with magic&#8221; and &#8220;The new inspiration&#8221;, Mr. Tobalina was anything but subtle when it came to self aggrandizing. We will be taking an in-depth look at the colorful life of this writer\/director\/producer\/theatre owner\/international man of mystery in a future post. For now, enjoy a peek at the &#8220;wondrous talent of Carlos Tobalina&#8221; (note: the &#8220;acclaim&#8221; listed below was comprised of fictional awards he bestowed upon himself). <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/awards.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/awards.jpg\" alt=\"\" class=\"wp-image-1310\" width=\"450\" height=\"127\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/awards.jpg 600w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/awards-300x85.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2020\/09\/awards-150x42.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The world of moving making and cinema has never suffered from a shortage of individuals with a &#8220;robust&#8221; sense of self worth; nor has the industry exactly shied away from self promotion. However, few individuals have taken it to the level of 70&#8217;s exploitation\/adult film impresario Carlos Tobalina. From shooting films in &#8220;Tobachrome&#8221; and &#8220;Tobascope&#8221;, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1308","post","type-post","status-publish","format-standard","hentry","category-cinema-oddities"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=1308"}],"version-history":[{"count":12,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1308\/revisions"}],"predecessor-version":[{"id":1322,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/1308\/revisions\/1322"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=1308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=1308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}