{"id":392,"date":"2009-12-26T12:24:55","date_gmt":"2009-12-26T12:24:55","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=392"},"modified":"2009-12-26T12:27:44","modified_gmt":"2009-12-26T12:27:44","slug":"392","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2009\/12\/26\/392\/","title":{"rendered":"Holiday Cinema Past"},"content":{"rendered":"<div>As we enjoy this year&#8217;s\u00a0holiday blockbuster season, with titles like &#8220;Avatar&#8221; and &#8220;Sherlock Holmes&#8221;, here is a quick glimpse of some holiday cinema past.<\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div style=\"text-align: center;\"><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/Christmas34.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-391\" style=\"border: black 2px solid;\" title=\"Christmas 1934\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/Christmas34.jpg\" alt=\"Christmas 1934\" width=\"600\" height=\"434\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/Christmas34.jpg 600w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/Christmas34-150x108.jpg 150w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/Christmas34-300x217.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/div>\n<div>\u00a0<\/div>\n<div>Were you to be a theatre goer seventy five years ago, you might be heading to Grauman&#8217;s Chinese to catch Shirley Temple in &#8220;Bright Eyes&#8221;. Those seeking more mature entertainment might head over to Warner Brothers Downtown for &#8220;A Gigantic\u00a03 Unit Show!&#8221;, featuring Fay Wray in &#8220;Mills of the Gods&#8221;, 6 vaudeville acts, and &#8220;Men of the Night&#8221;.\u00a0<\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div style=\"text-align: center;\"><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/christmas59.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-393\" style=\"border: black 2px solid;\" title=\"Christmas 1959\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/christmas59.jpg\" alt=\"Christmas 1959\" width=\"300\" height=\"545\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/christmas59.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/christmas59-82x150.jpg 82w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2009\/12\/christmas59-165x300.jpg 165w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div>\u00a0<\/div>\n<div>Fifty years ago, you might be hitting Pacific&#8217;s drive-in theatres\u00a0for one of &#8220;4 great holiday shows&#8221;, all in &#8220;flaming color&#8221;, no less.\u00a0\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As we enjoy this year&#8217;s\u00a0holiday blockbuster season, with titles like &#8220;Avatar&#8221; and &#8220;Sherlock Holmes&#8221;, here is a quick glimpse of some holiday cinema past. . \u00a0 Were you to be a theatre goer seventy five years ago, you might be heading to Grauman&#8217;s Chinese to catch Shirley Temple in &#8220;Bright Eyes&#8221;. Those seeking more mature [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-392","post","type-post","status-publish","format-standard","hentry","category-history"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=392"}],"version-history":[{"count":3,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/392\/revisions"}],"predecessor-version":[{"id":396,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/392\/revisions\/396"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}