{"id":491,"date":"2010-06-11T10:25:07","date_gmt":"2010-06-11T10:25:07","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=491"},"modified":"2010-06-11T10:25:07","modified_gmt":"2010-06-11T10:25:07","slug":"developing-news-on-the-miramar-theatre","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2010\/06\/11\/developing-news-on-the-miramar-theatre\/","title":{"rendered":"Developing News on the Miramar Theatre"},"content":{"rendered":"<p>Yet another chapter is about to be written in <a href=\"http:\/\/cinelog.org\/cinelog\/2010\/04\/14\/the-plight-of-the-miramar-theatre\/\" target=\"_blank\">the Miramar Theatre&#8217;s troubled afterlife<\/a>. San Clemente developer, LAB Holdings, recently announced that they are in the process of purchasing the long dormant theatre and neighboring bowling allley. According to LAB Holdings co-owner, Shaheen Sadeghi, the group plans to restore the site for use as an event center and restaurant. While the Miramar property has seen more than it&#8217;s share of potential suitors and revitalization plans over the years, this latest effort comes from a\u00a0party that has already\u00a0made some progress with\u00a0the historic Casino San Clemente ballroom.<\/p>\n<p><!--googleoff: all--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yet another chapter is about to be written in the Miramar Theatre&#8217;s troubled afterlife. San Clemente developer, LAB Holdings, recently announced that they are in the process of purchasing the long dormant theatre and neighboring bowling allley. According to LAB Holdings co-owner, Shaheen Sadeghi, the group plans to restore the site for use as an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,8],"tags":[],"class_list":["post-491","post","type-post","status-publish","format-standard","hentry","category-news","category-theatre"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=491"}],"version-history":[{"count":1,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/491\/revisions"}],"predecessor-version":[{"id":492,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/491\/revisions\/492"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}