{"id":801,"date":"2011-07-11T09:15:10","date_gmt":"2011-07-11T09:15:10","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=801"},"modified":"2011-07-11T09:15:10","modified_gmt":"2011-07-11T09:15:10","slug":"a-completist-view","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2011\/07\/11\/a-completist-view\/","title":{"rendered":"A Completist View"},"content":{"rendered":"<div>As mentioned in an <a href=\"http:\/\/cinelog.org\/cinelog\/2010\/11\/07\/a-rare-view-of-the-drive-in\/\" target=\"_blank\">earlier post<\/a>, restrooms are likely the least documented feature of cinemas. Despite this long standing decorum fueled omission, here are two pictures of what might be the most famous cinema restroom in existence; the men&#8217;s room of Grauman&#8217;s Chinese Theatre.<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: left;\"><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroomEntrance.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-802\" style=\"border: black 2px solid;\" title=\"Grauman's Restroom Entrance\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroomEntrance-150x112.jpg\" alt=\"\" width=\"150\" height=\"112\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroomEntrance-150x112.jpg 150w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroomEntrance-300x225.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroomEntrance.jpg 900w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0<a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroom.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-803\" style=\"border: black 2px solid;\" title=\"Grauman's Restroom\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroom-150x112.jpg\" alt=\"\" width=\"150\" height=\"112\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroom-150x112.jpg 150w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroom-300x225.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2011\/07\/GraumansRestroom.jpg 900w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/div>\n<div>\u00a0<\/div>\n<div>Nothing fancy or truly\u00a0unique to be seen, just your run of the mill facilities. However, at a theatre that has been thoroughly photographed from\u00a0top to bottom, for over eighty years, this is\u00a0one area that hasn&#8217;t received much attention. If for nothing else,\u00a0a submission for\u00a0completist sake.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As mentioned in an earlier post, restrooms are likely the least documented feature of cinemas. Despite this long standing decorum fueled omission, here are two pictures of what might be the most famous cinema restroom in existence; the men&#8217;s room of Grauman&#8217;s Chinese Theatre. \u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0 Nothing fancy or truly\u00a0unique to be seen, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,8],"tags":[],"class_list":["post-801","post","type-post","status-publish","format-standard","hentry","category-history","category-theatre"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=801"}],"version-history":[{"count":4,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/801\/revisions"}],"predecessor-version":[{"id":807,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/801\/revisions\/807"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}