{"id":941,"date":"2012-08-16T11:03:12","date_gmt":"2012-08-16T11:03:12","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=941"},"modified":"2012-08-16T11:08:03","modified_gmt":"2012-08-16T11:08:03","slug":"twin-em","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2012\/08\/16\/twin-em\/","title":{"rendered":"Twin Em!"},"content":{"rendered":"<p>Today\u2019s picture, from a 1978 edition of Box Office Magazine, captures that dark time when exhibitors felt compelled to \u201ceconomically\u201d plex their single screen holdings. One hates to even contemplate how many formerly grand auditoriums were hacked up with \u201cTWINNING, TRIPLEXING, or QUADING\u201d after this advertisement ran.<\/p>\n<p><a href=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2012\/08\/TwinEm.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-942\" style=\"border: 2px solid black;\" title=\"Twin Em\" src=\"http:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2012\/08\/TwinEm-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2012\/08\/TwinEm-300x200.jpg 300w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2012\/08\/TwinEm-150x100.jpg 150w, https:\/\/cinelog.org\/cinelog\/wp-content\/uploads\/2012\/08\/TwinEm.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today\u2019s picture, from a 1978 edition of Box Office Magazine, captures that dark time when exhibitors felt compelled to \u201ceconomically\u201d plex their single screen holdings. One hates to even contemplate how many formerly grand auditoriums were hacked up with \u201cTWINNING, TRIPLEXING, or QUADING\u201d after this advertisement ran.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,5],"tags":[],"class_list":["post-941","post","type-post","status-publish","format-standard","hentry","category-history","category-industry"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=941"}],"version-history":[{"count":2,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/941\/revisions"}],"predecessor-version":[{"id":944,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/941\/revisions\/944"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}