{"id":983,"date":"2013-05-07T08:28:26","date_gmt":"2013-05-07T08:28:26","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=983"},"modified":"2013-05-07T08:28:26","modified_gmt":"2013-05-07T08:28:26","slug":"a-modern-annoyance","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2013\/05\/07\/a-modern-annoyance\/","title":{"rendered":"A Modern Annoyance?"},"content":{"rendered":"

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Think those annoying pre show commercials are a recent addition to the movie going experience? Well, here is a 1947 trade publication advertisement for the Movie Advertising Bureau, promoting the benefits of running sixty to eighty second spots in movie theatres. Yes, even in the \u201cgood old days\u201d, there were television style commercials, hawking everything from Ford\u2019s latest automobile to do-it-yourself fabric dying with RIT.<\/p>\n

\"1947\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Think those annoying pre show commercials are a recent addition to the movie going experience? Well, here is a 1947 trade publication advertisement for the Movie Advertising Bureau, promoting the benefits of running sixty to eighty second spots in movie theatres. Yes, even in the \u201cgood old days\u201d, there were television style commercials, hawking everything […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,5],"tags":[],"class_list":["post-983","post","type-post","status-publish","format-standard","hentry","category-history","category-industry"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=983"}],"version-history":[{"count":1,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/983\/revisions"}],"predecessor-version":[{"id":985,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/983\/revisions\/985"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}