{"id":994,"date":"2013-07-04T00:30:21","date_gmt":"2013-07-04T00:30:21","guid":{"rendered":"http:\/\/cinelog.org\/cinelog\/?p=994"},"modified":"2013-07-04T00:30:21","modified_gmt":"2013-07-04T00:30:21","slug":"the-grand-miss-jones","status":"publish","type":"post","link":"https:\/\/cinelog.org\/cinelog\/2013\/07\/04\/the-grand-miss-jones\/","title":{"rendered":"The Grand & Miss Jones"},"content":{"rendered":"

<\/p>\n

<\/p>\n

A 1941 program from Anaheim\u2019s Grand Theatre<\/a>, featuring the Jean Arthur Comedy \u201cThe Devil and Miss Jones\u201d.<\/p>\n

\"Grand<\/a><\/p>\n

Some thirty-five years later, a very different \u201cMiss Jones\u201d feature would screen at the theatre, via the adult film \u201cThe Devil in Miss Jones\u201d. While the two films hold nothing in common, outside of their titles, they provide rather telling bookends to the Grand\u2019s history<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

A 1941 program from Anaheim\u2019s Grand Theatre, featuring the Jean Arthur Comedy \u201cThe Devil and Miss Jones\u201d. Some thirty-five years later, a very different \u201cMiss Jones\u201d feature would screen at the theatre, via the adult film \u201cThe Devil in Miss Jones\u201d. While the two films hold nothing in common, outside of their titles, they provide […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,8],"tags":[],"class_list":["post-994","post","type-post","status-publish","format-standard","hentry","category-history","category-theatre"],"_links":{"self":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/comments?post=994"}],"version-history":[{"count":2,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/994\/revisions"}],"predecessor-version":[{"id":997,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/posts\/994\/revisions\/997"}],"wp:attachment":[{"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/media?parent=994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/categories?post=994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinelog.org\/cinelog\/wp-json\/wp\/v2\/tags?post=994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}