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Westminster 10 Changes Hands

June 21st, 2012 by ccrouch
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Regency Theatres has taken over operation of the former Edwards Westminster 10 and will mark the transition with a grand reopening celebration this weekend, 6/22 – 6/24.

The twenty year old theatre, located on the former site of Edwards Cinema West (66’-91’), had been in decline for quite some time and, while not facing any direct competition in the area, wasn’t deemed cost effective for upgrades or remodel efforts, by former operator REG. Now, with Regency taking over, the theatre has received a “sprucing up” and full conversion to digital projection.

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Cinema Milestone: The First Drive-In

June 6th, 2012 by ccrouch
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On this day in 1933, Richard Hollingshead (along with Willie Warren Smith, Edward Ellis, and Oliver Willets) opened the world’s first drive-in theater, in Camden, New Jersey.

Built for $30,000, the aptly named “Drive-In Theatre”, featured inclined slots for 400 cars and a “60 foot talkie screen”; unlike later drive-ins, sound was produced via large speakers installed on the screen tower (RCA’s “Direct Sound” system for the Camden location). Priced at twenty five cents per car and twenty five cents per person, not exceeding one dollar per car load, the opening feature was “Wives Beware”.

Due to several legal disputes, Camden’s Dive-In Theatre was closed in 1935, but this first effort ultimately launched a movie going craze that became a cornerstone of mid twentieth century pop culture and iconic slice of Americana.

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Grauman’s Chinese Theatre Program

May 31st, 2012 by ccrouch
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In recognition of the 85th anniversary of Grauman’s Chinese Theatre (May 18, 1927), I wanted to share a couple of pictures from the grand opening dedication/“King of Kings” premiere program.

    

As with the Grauman’s Egyptian program, I will be posting a PDF file of the full program soon.

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The Underbelly of Grauman’s Chinese

May 28th, 2012 by ccrouch
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The Los Angeles Historic Theatre Foundation conducted another one of their fascinating “All About” tours this past weekend; covering Grauman’s Chinese this time around. Among the numerous non public areas featured was the theatre’s subterranean level.

While presently serving as a standard basement (storage and support system duties), prior to the theatre’s late 50’s “Windjammer”/Cinemiracle remodel, the basement area featured a much higher ceiling and was home to Grauman’s prolog show pre-staging areas (dressing rooms, rehearsal space, etc.). One of the few remnants of the area’s former use stands in the form of two partial staircases which once lead to the stage.

Providing a bit of a mystery, there are also a couple of areas which have retained bits of their finished walls and feature scraps of what looks to be wallpaper for a children’s room. While child care rooms were an amenity of many movie palaces of the day, Grauman’s never promoted such a service to the public. At best, one might speculate that a children’s room once existed for theatre workers and/or prolog cast.

In addition to the theatre’s underbelly, the tour went behind the screen, to the projection booth, and in to Sid Grauman’s one time office; minor notes of disappointment in how little of the once impressive stage remains behind the screen/sound baffle and how Mr. Grauman’s former office is now quite modern in appearance.

                

The LAHTF conducts such tours, of numerous historic theatres, on a semiannual basis. If you’ve ever had an interest in seeing the “off limits” areas of a classic theatre, desired to visit a long closed venue, and/or just wanted to learn more about the many cinema gems that dot Los Angeles, check out their site for future events.

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Cinema Oddities: Extreme Film Immersion

April 29th, 2012 by ccrouch
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Pictured below is the Anthology Film Archives’ “Invisible Cinema”, circa early 1970’s. Designed by the Avant Garde filmmaker/preservationist, Peter Kubelka, the concept featured stadium style seating and isolation barriers around each patron. Adding to the immersive experience, the auditorium was painted jet black and devoid of lighting; relying on a spotlight being cast on screen for pre/post show illumination (thus, ensuring the screen remained the center of focus).

While modern day public safety codes ultimately disallowed such a venue, the Anthology Film Archives lives on in New York City, as the world’s preeminent Avant Garde film center.

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Happy Birthday Sid Grauman

March 18th, 2012 by ccrouch
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Today, March 17, marks the 133rd birthday of one of Hollywood’s greatest showmen, Sid Grauman.

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Last moments of the Anaheim Fox

March 6th, 2012 by ccrouch
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The excellent Orange County history site O.C. History Roundup currently features a post about the 1979 destruction of downtown Anaheim, including several pictures of the Anaheim Fox Theatre’s demolition. The post and pictures can be viewed here.

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A Precursor Vacant Once More

March 5th, 2012 by ccrouch
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As several county multiplexes currently undergo transformations in to luxury boutique cinemas, Orange County’s original boutique venue has fallen vacant once more. Earlier this year, the onetime Brookhurst Loge was vacated by long time resident, The James Albert Beauty School.

Opened in 1970, the Brookhurst Loge offered an experience which was quite similar to the present day onslaught of specialty cinemas. Enforcing an “adults only” admission policy and showing movies in a setting which was billed as “comfortable and intimate”, the theatre was targeted at a more mature and affluent audience. This luxury screening room approach met with some degree of success, but, by the mid 80’s, the concept was abandoned and the Loge became little more than a holdover screen for the neighboring Brookhurst Theatre. The Brookhurst Loge was closed in 1996 and soon taken over by the fore mentioned cosmetology school.

Now shuttered again and likely awaiting further retail use, one can’t help but wonder if the current crop of boutique cinemas will meet a similar fate.

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Rancho Santa Margarita 6 Conversion A Go

February 27th, 2012 by ccrouch
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The former Edwards Rancho Santa Margarita 6 has officially been green lighted for conversion in to a luxury boutique cinema.  Earlier this month, the Rancho Santa Margarita planning commission signed off on remodeling plans by new operator, Cinepolis. Much like the outfit’s current effort in Laguna Niguel, the theatre will be gutted and transformed in to a high end “fork and screen” venue; featuring in seat dining, a lounge, bar, and screening room auditoriums (reducing the total seating capacity from 1,472 to 509). If all goes to plan, the remodeled theatre will open in the summer of 2012.

    

Depicted above is an architectural rendering of the front lobby (courtesy of SMS Architects) and a photo I took of the same area a couple of years ago.

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103 Years Ago: The Temple Theatre

February 1st, 2012 by ccrouch
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Today marks the 103rd anniversary of the Temple Theatre. Opened on February 1, 1909, at a cost of a then whopping $15,000, the theatre was among the first cinemas to operate in Orange County. The first county cinema title belongs to either the “opera house” of the 2nd Spurgeon Building or the Santa Ana Electric Theatre, depending on how one chooses to define cinema. Yet, no matter which location truly deserves the founding moniker, the Temple unquestionably pioneered and popularized the concept of movie going in Orange County.

A bit of trivia on the Temple Theatre: the venue’s first manager, A.M. “Doc” Roberts, formerly ran the county’s “first” cinema, the Santa Ana Electric Theatre.

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